Tag Archives: cdreviews

[樂評] 盧凱彤 – 《Riding on Faith》 (2013)

自從聽過盧凱彤在八月尾的The 「V 」live就越發欣賞她,聽過這張廣東EP《Riding on faith》後更甚。她將在台灣發片所累積的經驗和風格帶到她的廣東碟上,三首歌主題互相呼應,編曲豐富具層次,歌詞由兩位神人林夕和周耀輝操刀。聽完我不禁高呼:好久沒有聽到如此有個性的廣東音樂了!實在教樂迷振奮。 〈… More
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[樂評] 宋冬野 -《安和橋北》(2013)

一首《董小姐》,令宋冬野紅遍神州大地,如果說舊年內地的年度歌是《我的歌聲裡》的話,那今年的,應該就是《董小姐》了。我初聽這首作品時是感到納悶的,因為不知它的魔力在何處?為什麽能夠令到如此多人喜歡?其實以我之見,好的民謠作品必須它的旋律是「好聽」的,甚至是雋永的,但《董小姐》未能做到這點,它的整個感覺… More
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[樂評] Cicada -《邊境消逝》(2013)

城市是一個永不停頓的大熔爐。各人的身驅被生存意志拖著遊走,成了行屍走肉,而城市無邊際的發展,引至大自然發出的哀號,城市人根本無瑕理會,每天唯一的渴求,就是回到家中的枕頭,好好幹一場有質素的睡眠。不過,夜闌人靜,心緒一沉,原來是內心的荒漠,需要解渴泉水,滋潤乾涸的心靈。台灣Cicada樂團的《邊境消逝… More
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[樂評] 董事長 ﹣《一條命》(2013)

很多事情都有正反的影響,2012年至今台灣不斷發生震蕩社會的事件,卻增強了民眾對時政、對發展的關注意識,和產生一股更強大的凝聚力;上個月的洪仲丘死亡案件引起全台憤怒,公民不分藍綠政治陣營自主走上街頭,參與白衫軍運動,亦書寫了台灣社運的新一篇章。大家相互團結在一起,為著共同目標而吶喊,皆因他們熱愛自己… More
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[樂評] Tizzy Bac -《易碎物》(2013)

尼爾‧蓋曼對於「易碎物」的解釋,就是故事本身,故事由脆弱的字母與標點所組成,由聲音與思想所構成,一旦說出口,它就「消失」了,可在一個說故事人的心中,故事是他的所有,「他們寧願將時間都浪費在易碎物上,也不願老是在逃避道德債」。因此,尼爾‧蓋曼把故事寫得有聲有色有趣,每篇內容、每類風格,都繁衍出不同層次… More
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[樂評] 大象體操(Elephant Gym)-《平衡》(2013)

初聽大象體操(Elephant Gym)的《平衡》EP,還以為是日系數字後搖滾作品,皆因自己接觸的台系後搖滾,大部分較潛藏感情,編曲多是傾向一步步推進,最後就所有樂器來一次爆破。可能是受著另一隊台系後搖甜梅號(Sugar Plum Ferry)影響,以為大象體操都是類似的作品,真是大錯特錯了!差不多十八分… More
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[樂評] 昏鴉 (Murky Crows) -《寓言式的深黑色風景》(2013)

作為昏鴉 (Murky Crows) 的首張專輯,《寓言式的深黑色風景》具有極其鮮明的存在主義命題,既是昏鴉對現實世界之陰暗面的剖白,亦是一場畸戀的演譯 。專輯呈現的畫面尤其真實逼人,小提琴、風琴,風鈴互不協調,相競爭鳴,蕭殺詭異的景象應聲而生。在歌詞中不斷重覆的「我」和「妳」也許是關於陰陽之隔的生死苦戀,亦可能是鏡湖前捕捉倒影的無望痴戀。
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[樂評] Masta Mic﹣《流行反擊戰》(2013)

「地下上唔到大場面,嚟自地下嘅永遠只可以企場邊」,MastaMic的《流行無罪》開炮即要替一班仍活在「地下」嘅音樂人鳴冤叫屈、抱打不平,皆因畸形嘅香港樂壇,主流過度強勢,令Indie嘢常常被大眾忽視,佢哋很難抬得起頭。呢種情況讓我諗起碼頭啲工人,辛酸有誰知,一間間財雄勢大嘅唱片公司,永遠佔有最好嘅資… More
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[樂評] 何韻詩﹣《共存》(2013)

有歌手說討厭政治,有歌手卻喜歡唱社會題材,何韻詩在去台灣發展前的數張專輯,都塑造了她肯為小人物/少眾人群代言的硬朗形象,從而贏得大眾樂迷的尊重。她的首張國語專輯《無名.詩》,選擇退回一步,以第一身角度重拍像初出道時的風格照,用純真與坦率,破解了粵語歌手總是做不好國語碟的魔咒,繼續收穫好評、摘得金曲獎… More
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[樂評] 與人樂隊﹣《浴室拘禁》(2013)

曾經,有一支牛屄的樂隊發行過一張牛屄的專輯,我沒有珍惜,等我買不到cd的時候才後悔莫及,人世間最痛苦的事莫過於此…… 如果那支牛屄的樂隊能夠再發一張專輯,我會感謝天感謝地…… 如果專輯非要有一個名字,我希望是《浴室拘禁》…… 期待了一年多的與人樂隊新專輯,終於在2013年雷鋒日發行,蝦米網首發,淘寶發售,… More
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[樂評] The Verse -《52赫兹》(2013)

「防曬油」後,陳綺貞再次和男友鍾成虎、好友陳建騏組團冒險、探索孤獨,電子音樂為他們新添的裝備,三人在心海的浪濤中,或浮或潛,不復趨避內心的險急漩渦,迎向最真。他們的獨身與兼身,不免在各自的「三」與協調的「一」之間擺蕩,最終以另一條路徑轉往同目的站的潛意識深處,去掏出一點純凈的表白,或那些高密度的象徵… More
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[CD REVIEW] Hungry Ghosts – EP2 (2012)

Taking its name from the Chinese Buddhist religious saying, Hungry ghosts are a four piece rock band from Hong Kong that isn’t as “hungry" as their name would suggest. Havin… More
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[CD REVIEW] The Merriweather Deer – Archives EP (2010)

“Cities”, the opening track to The Merriweather Deer’s ep Archive isn’t exactly what I would consider “merry”.  Front man Ephraim screams the lines “These cities bound to fall ap… More
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[CD REVIEW] Forget the G – Prologue (2010)

Hailing from the place people have been calling the Las Vegas of Asia; Forget the G is an alternative, post-rock band based in Macau.  Originally formed in 2005, their debut album P… More
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[CD REVIEW] the evening primrose – Starless (2010)

The lush music that comes from Hong Kong the evening primrose’s second album Starless, is eerily beautiful.  Like gazing upon the majestic sky on a clear night, it takes time for it… More
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[CD REVIEW] BOYZ & GIRL – BOYZ & GIRL (2010)

Blistering waves of feedback permeate the debut album from Taiwan noisemakers BOYZ & GIRL.  From the twisted guitar shriek of opening track “Ghost Parade” to the massive dro… More
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[CD REVIEW] 甜梅號 (Sugar Plum Ferry) – 腦海群島 (Islands on the Ocean of the Mind) (2010)

The shortest track on 甜梅號 (Sugar Plum Ferry’s) third album, 腦海群島 (Islands on the Ocean of the Mind), is around 6 minutes.  Though not particularly short, per se, is nothing compare… More
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[CD REVIEW] UNiXX – 7 Deadly Sins (2010)

After what has been a long 6 years since their previous release, Nasty Fantasy in 2004.  Hong Kong Shoegazers UNiXX are back with an even darker release than the aforementioned rec… More
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[CD REVIEW] 殺蟲水 (Insecticide) – Shout (2010)

After years of having songs included in various compilations such as 情緒中國 2 (King Size China 2) and 磨合辑 (Mill). Canton post-hardcore regulars, 殺蟲水 (Insecticide) have finally rel… More
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[CD REVIEW] 光景消逝 (The Hindsight) – 在眼淚中看見希望 (From Dripping Tears, He Saw Hopes) (2010)

Taiwan may not be know for it’s post-hardcore bands, but natives 光景消逝 (The Hindsight) definitely stand out.  After scoring a big hit with “Eye Contact” on their debut A Vow we Made,… More
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